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Velasco gives both of the Houdini tricks a variation. Dapperly dressed Alex McAleer is a mentalist whose performance is immeasurably enhanced by his very dry wit. Its fantastic double-whammy solution will leave everyone dumbfounded. Champions of Magic is an exhilarating show whose humour and lack of pretence are its greatest virtues, along, of course, with the expert performances of its five magicians. As so often in magic, the simplest tricks are the most baffling. Stage Door Review.{/INSERTKEYS}{/PARAGRAPH} His routine of guessing the name of a celebrity, a place and a favourite movie that someone is contemplating is stunningly performed although his overemphasis via props in celebrating his correct choice of movie may hand a key clue to those intent on solving how he does the stunt. Sound designer Charles Gund does keep the sound level rather high throughout, but luckily the show website specifically states that the show is not recommended for children under 5 due to the volume of the sound. They begin by performing a great variation on the traditional Sword Cabinet trick. Since there are no pre-made holes, Strange takes an unusually large number canes with pointed ends and thrusts them through one side of the box and out the other so that it it seems impossible that Young could escape harm. The most earnest of the five magicians is Fernando Velasco. In Champions all five appear several times lending the show more cohesion. What makes their performance of these illusions so different is how quickly they accomplish each one and move on to the next and how they mock so well the deadly seriousness that famed illusionists adopt while still bringing off each of their own illusions so effectively. The Illusionists played in the seat Princess of Wales Theatre, whereas Champions plays in the seat Bluma Appel Theatre, and magic always has more impact in a smaller venue. For tickets, visit www. The way he intuits the name a volunteer is thinking of and their relation to the volunteer defies explanation. Given, as they say, that Las Vegas seems permanently stuck in , the two change from their smart dress into glittery, over-the-top, rock-star-like one-piece outfits with rigid epaulettes shooting out from each shoulder. Both Champions and The Illusionists are magic revues, but they have important differences. It would seem that people long to have a more direct and immediate experience of the marvellous than high tech can provide. For magic aficionados they all provide intriguing twists on familiar tricks and illusions. Toronto has a wide range of family entertainment options for this holiday season from traditional musicals and plays to pantos and circus. In the latter several magicians appeared only for one set making the experience much more diffuse. For first-time theatre-goers they present an excellent overview of the various disciplines that come under the heading of stage magic. Now a new option has entered the field with Champions of Magic. Director David Lynch has paced the show perfectly. The two admit that their greatest love in magic are the grand illusions one tends to see at magic shows in Las Vegas. Tour stops after Toronto, ON:. He chooses a young volunteer for the audience, as tall as the board, and has the person lie on a serape thrown over the board. They set the tone of comic self-promotion and self-deprecation that characterizes the whole evening. They also share hosting duties with fellow British mentalist Alex McAleer. While the vital, young Velasco is excellent in both, it is really his performance of the levitation that will leave you totally baffled. She too is blessed with a fine sense of humour that makes her interactions with audience members warm, friendly and unintimidating. Otherwise, it serves merely as an ornamental backdrop. When Young gets in the box he seems to fill it, unlike the sylph-like assistants usually used. Drescher will, however, be best remembered for a card trick that she endeavours to perform several times with the same audience volunteer that lends a sense of unity to the whole evening. Never have I seen this illusion done so effectively. {PARAGRAPH}{INSERTKEYS}December 20, January 6, ;. On stage, Drescher does a wonderfully imaginative and more complex variation of the Torn and Restored Paper Illusion. The biggest flaw in The Illusionists, one related to the venue size, was that everything in the show was projected onto a by foot LED monitor over the stage, so one felt more like one was watching television than live magic. Her effects are so small scale that she has a cameraman shoot live video of her which is projected onto the small screen above the stage. Champions also uses an above-stage monitor but only to project historical images related to an act or the small-scale magic of one of the magicians. Yet, somehow he does. Thus Champions of Magic arrives at the perfect time.